Tag Archives: animal portraits

Hitting the wall!

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Yesterday an artist friend and student of mine were taking about when as an artist we “Hit the wall” when painting or drawing or whatever medium it is. This particular brain freeze of where to go next? How do I put the background in or where do I go from here? It can be a question and answer of simple as skill level needing to be developed and there is the “Hitting the wall”. Most times artist want to give up at this point, but DON”T! This is a crucial time of learning, the art juices are flowing. Press through and don’t put the artwork away and think you will come back and finish because that time usually never comes. Sit the artwork aside for a few days but continue to view the artwork and let the composition speak to you. Let the artwork speak to you and see what parts bother you or figure out what just doesn’t look right. Sometimes I do Not like to show anyone my artwork to a certain stage and I respect that, but someone may see something you do not. A constructive critique is key to any artist.

For myself when painting this last watercolor of the kids in the pool I found myself “Stuck” on what to do with the background. I love painting in realism in any medium, but I also need a balance of subdued color or style for a happy balance in composition. The problem is getting there. I see other artist works that I know I have the same skill level of realism, but how they achieved the balance is a learning process I need to work more in. Watercolor is an ideal medium for loose wash techniques and most artist paint watercolor in that style, but I don’t or have a hard time of breaking free from controlled layers of color or photo realism. This is where Life drawing helps with timed poses and self teaching of “Letting go” from adding too much realism. It’s funny because I have artist friends that tell me they wish they could paint watercolor like I do and here I am wanting to paint looser. Go figure. I don’t think it is has to do with not being content on how I paint I don’t want my compositions to speak “seen it” already. Artwork can become seen and done it, Next! There are some artist that paint and their skill level is amazing but the artwork is steal after twenty paintings completed the same way. That is where I am at, I think? The car watercolor before this pool painting I don’t mind total realism through out because the composition is strong. There is the happy balance once again. Being an artist is a struggle, especially when emotion is attached. That is what an artist is made of, a bag of emotion trying to escape through paint. Add life, experiences in life and it reflects in our artwork and how we have a need to create through all these experiences. Maybe it is growth in our work? It is what makes us accomplished artist? Instead of thinking about it and never really have the answers of these questions being asked through-out time it is best to pick a brush and work it out! Will I get there eventually? I think so, but artwork is never really finished. I guess the finished artwork or when I call it finished relates to where I am at that particular time in life. Too profound today with unanswered questions. Time to pick up the brush, put some Neil Young on and paint…….:}

Thanks for reading to the bottom [lol], I do read all the comments and I have to say some are crazy! Not exactly sure where they are coming from and please try to keep them to yourself. I need to add video as some have suggested, I still need to figure out how to get the flowers files out of scrapbook program. I am not the sharpest tack on the board but I have tried all that I know how to do on this computer. Anyway, if anyone knows please email the solution. Thanks.

Juried shows.

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I have a post somewhere on my blog regarding entering juried shows. It is not as hard as you may think; not anymore since digital land. Juried shows can cost anywhere from an average of $9.00 to 30-40 dollars an entry. Usually if you enter two – three entries it may be around $75 to enter. Most show I have seen lately you enter a digital image at a certain size of usually 1000 or a bit more pixels. The rules on the show page will have a required size in the rules. Follow the guide to what they want. You will need a credit card to enter and pay for your image[s]. Follow the directions. When entering I like to enter at least two paintings for the reason the judges see my range of style and control of watercolor. Entering one piece is good when your artwork is spot on and hits the high mark being able to stand strong solo in composition and all the elements.  Some artwork needs to be seen in a series of three if the subject matter is similar in content and similar compositions. If there is not a strong compositional range in the work, then I like to enter three images of close subject matter. For example; say you paint flowers up close in a size 9 x 12. One painting or drawing is not strong enough or large enough to stand alone. Not every case, but for the most part. It leaves the viewer or judge thinking it just can’t make the cut because it needs just a bit more to take it to the next level. But, when you put three paintings together similar in content they enhance each other in content and become a strong entry. It is usually three or five in a series. After five it’s time to move on and expand your artwork to something else so you’re not repetitive.

When taking your best picture I photograph outside under my porch. I have true natural light with no cast shadows. The natural light is usually crisp and I get a true color read. NEVER photo shop your imagines…..you will be disqualified. If you make the first cut you may be asked to physically bring your artwork to place where your work will be displayed and judged. Some shows they judge solely on the digital images. Find a show that fits your artwork and go for it!

Here is a list of a few magazines that list shows and on their sites there will be a listing in the competition menu or event menu. You can find these magazines at Barnes and Noble bookstore or another bookstore in your town.

www.artistdaily.com, www.artistmagazine.com, www.watercolorartistmagazine.com, www.baltmorewatercolorsociety.org.

American Artist Magazine, American Artist drawing, Watercolor Artist, The artist magazine,and International artist. 

Prismacolor.com also has a gallery to display your artwork, sign on and create your artwork gallery. You can look at other artist as well and share tips and recieve feedback too.

Brushes

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Here is a way to contain all your brushes in one neat spot. This is bead holder found in the jewelry department. I am sure you can find one on-line. It is a Bead Bellishment Bench by ArtBin, I found this at AcMoore art and craft store. All I did was buy sand from the Dollar Store and added about 60% in each jar leaving the lid off. Added my favorite brushes and it works wonderfully! My brushes are not as long as oil brushes can be, they are watercolor brushes mainly. As you can see in the picture it really works well. I guess you could use beans, rice or tiny beads instead of sand, but sand works. I like this because I can see where the brush I want easily and I don’t need to put a brush cover on any. When you are traveling with your brushes DO NOT just throw them in the bottom of your bag! If you do not have anything to contain them at a quick moment at least roll the brushes up in a paper towel. If you don’t want to buy anything, at least use a paper towel cardboard tube; simply roll the brushes up in a paper towel and stick in the tube. You can find many tube like structures to use around the house. In the Dollar stores you can buy a straw table place-mat which will allow you to stick or weave the brushes through the straw and roll the mat up.

watercolor painting

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LOL! This doesn’t look like the people in my picture….augh. At first the hair didn’t look like it should, then the highlights! Remember the highlights when painting, not after. Adding lighter highlights  afterwards is harder and the paint [watercolor] looks thick then. Plus, the flesh color layers of color are really sun-kissed and that is throwing me a bit too. Just remember to paint the face as form and normal color first, then add the tan rosy hues. I only had about an hour to work on this late last night, so once a background goes in I hope it starts to resemble Adam better.

It has taken me until to now to realize I rather paint up close realism, but I need to expand my artwork subjects and not get stuck painting the same subjects just in different comps. If I do that my work will get boring even though the skill is top-notch. This wc is large and hard to arrange the board to hold or put the board an angle to actually paint. The size is a bit overwhelming at first. I drew this three times! Once it came out too small for the subject matter and the second I had it drawn larger and beautifully….I had spaghetti sauce on the back of my hand and didn’t see it and I even washed my hands very well! Guess where the sauce went? If that isn’t a kick in the ass…..I drew it again. Understand, this is what it is to “keep pressing through” the situation you’re in. Here I have this great composition to paint, which I think has a good shot at least getting a mention in a show if I paint it well. Then here is the devil coming against me trying to destroy me through stupid sh** like the spaghetti sauce. He knows the Great things God has for me and if I give up too quickly or don’t keep trying I will lose and he wins. Thought for the day; Don’t give up and be defeated….keep pressig through”.

Sometimes in your drawing or painting  [and the actual artwork skill is good] but, something just does not look right to you? Maybe it is the size? Are you drawing it too small? Some subjects need to be larger drawn to “MatcH” the subject matter. For example; when I drew this smaller it didn’t look right to me. When I drew it again larger it “Fit”. But don’t overwhelm yourself at first with size…..work your way up to sized compositions.

Thank you to Gabrill and the office mates for all the kind words and checking out my artwork…….God Bless.

Follow the Form.

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It is very important to follow the form in drawing when trying to create realism. Shade in the form in the direction of the object you are trying to render. In the next two pictures notice how the cat’s backside is flat in the first picture below. Notice how the backside looks after the highlights were added in the shape of the form. Use the light and dark contrast to your advantage. We worked on composition and putting in darker values.

I know how intimating drawing can be and it gets very frustrating when you are not sure what to do next, but keep trying and don’t be afraid to use rich “B’s” pencils. Squint at the picture and see how your drawing looks….is there a value range in graphite? Joan still needs to fine tune the drawing; the darks need to be added and don’t be afraid of the eraser. This drawing of Belle Looks Fabulous! Way to go Joan! A+. Great job!

Artist tip: The “H” pencils are hard and warm tone and the “B” pencils are cool tone and softer graphite. The coolness in value shades will sink into the background while warm tones will come forward in space.

Being an artist.

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I was thinking about when people you are meeting for the first time and they ask “What you do for a living?”  It took me a long time to be able to say “An artist” in a prideful manner.  In my experiences people often have a raised eye brawl and look at you with disappointment that you don’t measure up somehow.  Not that you need their approval.  I think it is just human nature to want to be accepted on some level. Unless you are truly known for your art, then these people can’t wait to be seen with you. In college studios you’re surrounded by other artist usually a bit stranger then you and you fit right in no questions asked! Boy, do I miss my college days. I don’t know if for the reason of being young again or if I knew then what I know now? probably a little of each. Young people today have the same stresses just bumped up a notch or two; this I have noticed the past few semesters in the college darkroom.

 When I was teaching and someone would ask “What do you do?” and when I replied; “I am a teacher” I didn’t feel so convicted or out-of-place and somewhat respected. Maybe it’s just me? 

I believe that my art talent is God-given and If I feel ashamed about being an artist God can not honor my work or even bless and anoint it. Like I said it has taken me a long time to get to this point, and not that I don’t care what people think of me…..I have grown spiritually in my life and I like where I am in my life [this season].  Then I was thinking earlier today “I am not painting/drawing enough” and then in my studio I have recent artwork everywhere! Wow! The past six months I have been working my butt off with my portfolio. Then it occurred to me “Do not let the devil trip your ass up”! Whisper crap into your ear; always something negative “Your not good enough” or “Your art sucks”. I tell you ……it is Not you thinking all these negative thoughts! Don’t believe the lies of the devil. God loves you and has a great plan for your life. Just imagine what artwork you can create if you had a positive view of yourself. Plus, your artwork will flow with ease. Keep a sketchbook because you may not be able to paint all the ideas you have at once!

Composition is key. Taking 100 pictures of the same subject forces you to not only look at the subject differently; it forces you to see the composition outside your comfort zone.  Presses you to challenge your skills and the norm of the subject you are photographing. In so you will learn to see and recognize good compositions in the future. You want to provoke emotion in your art. The person viewing your art will stand in front of it much longer if you tell a story in the artwork itself. A subject matter that means something to them the viewer; a fond memory of growing up for example. You need to set the scene in your art and why would someone look at your work?  A strong title is important also. I struggle with composition myself from time to time. You want movement in your composition meaning lines, shapes and forms that have your eye going throughout the artwork.  A light source to establish the time of day and what feeling or experience do you want the viewer to take from your art? There is a lot to think about when it comes to composition. Just the look on someone’s face in your work can tell a story.

I like to photograph and use my own pictures for reference; do not use someone else’s artwork for your own unless you ask the artist. If then give credit to the artist whom took the picture.

I am going to start entering juried shows, I had some photography published in college and it has been a long time over-do and its time to turn my work up a notch!

American Artist Watercolor magazine is hosting a juried competition for watercolor artist named, “What do you love?”.  Here is the link:  www.watercolorcompetition.com for all the rules. Deadline for entry is August 6th, 2012.

I have a few competitions and dates written down somewhere and I will post in the next day or so. I have a great awesome composition in mind for this juried show and I will post the in-progress of this new piece. I did the photography today!

 

My Studio!

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One of the best decision I ever made was to make a space for myself to work on my artwork. I like to call it my studio, makes me feel inspired to create. If I added my sewing machine it would be an old lady’s craft room! Anyway, I cleaned my space tonight and of course I wish it was larger…..but I am grateful for what I have.  My dollhouse is in the other corner to the left. I was thinking of trying to turn my dollhouse’s large table somehow thinking I would have more space…….but I love to look at Zanadu Mansion in all its unfinished splender. 

Drawing animals in graphite

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This is an updated picture of a graphite drawing in process by Joan. The kitty’s name is Ms. Belle a real loveable stinker I am told. In the composition notice how the detailed sofa wooden arm design balances out the pillow riffle.  It is the similar shapes that compliment each other. The design on the sofa material works because of the repetitive shapes and constantly of design. In good composition there should be movement throughout the drawing. There should be shapes, lines and form leading your eye into the picture and out of the picture. Notice how the piping on the sofa takes your eye across the composition. As Joan works on this drawing she is learning to understand value scale and how it relates to the composition concerning depth in shadows. Once the drawing is completed as far as the finishing of the drawing itself,  I will teach Joan how to take the realism to the next level. Please follow my blog for updates on the “How Too’s” in realism art.

A new cat portrait in watercolor and color pencil size 11×14.

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Well Milo’s portrait came out well. The colors are more vivid in person.  Ended up to be 11×14 framed.So, far the detail looks pretty good. It was a hard picture to do because the pictures were out of focus……….I have no idea why I have been given “cats” as subjects to draw lately? This watercolor is in progress, I need to add realistic details. The problem is I have been given blurry pictures! Awe.

I am not 100% sure on the background as yet. I am keeping the background simple, portrait like. In the artist tip section I have a fact about using tape to mark off the drawing section, in this picture you can see the tape. Plus when the artwork is finished and the tape is removed it leaves a nice crisp professional edge. I am thinking about an oval matt for this old kitty that has a few features that come with age. Kitty winkles!

With any medium creating realism is a Building Layering process.