Thumbnails

Thumbnails they are called. It is important to sketch [on any scale] small drawings  as research compositions before you start a new drawing or painting. Use your favorite graphite pencil or charcoal. The main objective is to figure out composition and what works the best in your artwork. First figure out what the main focus will be; what do you want the viewers to see as the subject. Remember how color will affect main focus as well as lighting. Then taking into consideration the light source. Each thumbnail is meant to be different; change the light source, move the main subject within the small sketch to see how the composition changes by moving the objects within the small sketches. You may find you like for example the main subject matter not in the middle but the left side. Very importantly not to copy someone’s artwork. You may look at photographs of the subject matter but do not copy. Copying  destroys the integrity of your artwork; plus you are not learning at a pace you could be advancing. The artist you are looking at has figured it all out for you. The reward comes from the honest beginning.

Remember line direction, movement with line within the composition; the way your eye follows line and how it moves throughout the piece. The gesture of lines and how they are hard or soft flowing lines or gesture lines.

Here are a few sketches Tom is working on for insight to his next painting. 2014083020140833201408352014083420140837

The Unsent Letter..

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This is how far I have been able to paint to. This is a large oil painting that I am not in a hurry to finish. It is better to produce quality vs, quantity. Some students say to me, “You’re still working on this?” and my answer is I would rather like what I painted then never be satisfied or question my work at a later date. I have been very busy outside my studio and haven’t had the time window  that I need to paint, so eventually there will be the time. My photography here isn’t as focused as I think it could be or my glasses aren’t strong enough! Anyway, the light I am now starting to put in is beautiful. Whom ever views this once hanging and takes the time to read the letter the painting will have so much more depth then just the title explanation.

Remember the Light source in every composition in any medium you work with. Complete flesh tones through out with consistency is key. Looking at where the light is coming from and how the light changes and affects tones. If you are not sure then set up a Still Life to help aid you. mannequins are wonderful for this purpose; if that  isn’t an option for you then ask a friend or family member to sit for a little time. Take pictures as reference to help guide you in the process.

Oil painting

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I painted to this point. There are several areas if not all areas that need attention. At this point of realism I need to set the weight of the object or person, correct  perspective, and form first before I fine tune the details. I like it so far. The think next I will paint the hands and letter in and then regroup, reevaluate and then details. The background will be damask in contrast eventually.

portrait painting

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Oil painting is easy when you have knowledge about drawing forms. Realism in any medium is about layers and lighter layers of building forms. I will add more on this later, don’t have the time now, but stay tuned. This is titled, “The Un-sent Letter”. It is about a young woman sitting getting ready for her wedding day. She is holding a letter she never sent to an old love. It is about life decisions and “Letting Go” of the past’ heart wrenching. There will be several clues painted to add to the story, which line up with my recent photography. More to come.

Western style artwork

008I will add updates soon, Tom repainted a few areas!

 

Artist friend Tom’s artwork.  It is important to carry color throughout the entire composition for the reason of balance and good flow. If you only have blue for example more in one region the composition can feel top heavy. Red is a strong color that needs to be balanced throughout the composition. The color red has a way to take center stage, so balance it well.

Art lessons in Easton, Pennsylvania

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Notice the material on the smaller mannequin,  the gray, silver color of the dress. A shiny material can have Refracted light which causes a Reflection in the valleys or deep parts of the folds. These folds are darker in tonal values on cotton for example. Drawing shiny material are small stokes, tedious lines of smooth value ranges.  So, shiny material is classified as 102 level.006

I added a few mannequins to my studio to help me and artist friends with Life drawing, foreshortening views and so on. I want you to notice how the eyeball is a sphere in a socket! Drawing spheres well will help you later on with drawing ans shading portraits.

Fine Art Studio

The header I currently have the pictures are not as clear as in shop? When I have more time to play I will work on it.

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I have been busy working on my own portfolio as well as working with my artist friends when I could. Summer has flown by and here it is mid August already! Time for school and getting back to a regular routine schedule.

As far as my artwork goes I finished the large black and white watercolor shown in the center of the header, which I like. Plus, I do need to matte it yet.  Now, I will start to put thought into action on the photography series that  I was working on last spring semester. Not one hundred percent sure where this art series is going, but I have several ideas.  I will know when I get there; plus in the duration producing some beautiful photography. Over all it has been a really great experience thus far.

In between the darkroom come Fall, studio time and family my hours will be filled; just the way I like it. I will make time though for my artist friends. I like to be productive and moving in the right direction.

Learning to see.

Learning to see the details around you; what a leaf or tree for example looks like when you are standing next to it versus  how a tree or the detail of a leaf look in comparison farther away or distance. Take the time to look and notice color and how the color changes and the details or realistic details slightly become unfocused as they go back or a way from you in distance.

I advise you to start thinking about color or graphite in values [one to ten; light to darkest]  for all colors as well as grays/blacks. Are they warm or cool in tone? Warm tones will come forward in space and cools will sink in space. The way God designed it, not an artist trick.  Think about how color fades in distance and lack of detail in landscape.

Don’t worry so much about the name of the color printed on the tube of color, look to see if it is warm or cool in tone and where would you use it on form, shape etc.

watercolor

menotice how by adding a background starts to change up the appearance of the figure?  How the shades change in hue, how light and dark values play against each other.018 - copyright

I found some time to paint today, rainy day all day east coast. I was able to paint about an hour past this image. The background needs to be darker in sections and a long way to go, but I really like the environment starting to develop. Remember watercolor is about layers especially realism.

If you notice the header has the same painting…..my first wc ever. Here I am painting it again some 2o plus years later.  Interesting to see skill and artistic concept.

Art lessons

Hello, I am still here working on artwork and busy with family; end of school year obligations. I bought new photography software which turned out to be much easier than I anticipated…..a good thing. Designing new headers and learning new concepts in the digital world. I keep saying I am going to clean my studio…….BUT……I know where everything is! In the new header you can see parts of my studio and myself holding a current watercolor, which I have been trying to find time to work on. I am taking advantage of the nice weather and walking a bit longer and more often.002

See…..I know where everything is! LOVE it.