Graphite drawing by Jordan. Learning to draw is not as hard as some make it. You need a good teacher; someone who understands realism and wants to teach you foundation. I can’t express enough how important Foundation learning is. You must learn to understand form and how to create it with warm and cool tones in graphite. Starting to draw with a “Hill and Valley” concept { which I created in my teaching experience } is key to understand more complex skill sets.
I guarantee I can teach you!!!
Starting to add tones and set form with values.
Oil painting is easy when you have knowledge about drawing forms. Realism in any medium is about layers and lighter layers of building forms. I will add more on this later, don’t have the time now, but stay tuned. This is titled, “The Un-sent Letter”. It is about a young woman sitting getting ready for her wedding day. She is holding a letter she never sent to an old love. It is about life decisions and “Letting Go” of the past’ heart wrenching. There will be several clues painted to add to the story, which line up with my recent photography. More to come.
Notice the material on the smaller mannequin, the gray, silver color of the dress. A shiny material can have Refracted light which causes a Reflection in the valleys or deep parts of the folds. These folds are darker in tonal values on cotton for example. Drawing shiny material are small stokes, tedious lines of smooth value ranges. So, shiny material is classified as 102 level.
I added a few mannequins to my studio to help me and artist friends with Life drawing, foreshortening views and so on. I want you to notice how the eyeball is a sphere in a socket! Drawing spheres well will help you later on with drawing ans shading portraits.
The header I currently have the pictures are not as clear as in shop? When I have more time to play I will work on it.
I have been busy working on my own portfolio as well as working with my artist friends when I could. Summer has flown by and here it is mid August already! Time for school and getting back to a regular routine schedule.
As far as my artwork goes I finished the large black and white watercolor shown in the center of the header, which I like. Plus, I do need to matte it yet. Now, I will start to put thought into action on the photography series that I was working on last spring semester. Not one hundred percent sure where this art series is going, but I have several ideas. I will know when I get there; plus in the duration producing some beautiful photography. Over all it has been a really great experience thus far.
In between the darkroom come Fall, studio time and family my hours will be filled; just the way I like it. I will make time though for my artist friends. I like to be productive and moving in the right direction.
In the past few days I have been able to work a bit more; fine tuning the details. I still want to recess the background some. 7/27/13.
This is how far I was able to paint. I really enjoy the lace and the material is moving. It’s pretty cool to see my growth as an artist since the first time I painted; better known as my first watercolor. Just the skill level alone……awwww right!
Learning to see the details around you; what a leaf or tree for example looks like when you are standing next to it versus how a tree or the detail of a leaf look in comparison farther away or distance. Take the time to look and notice color and how the color changes and the details or realistic details slightly become unfocused as they go back or a way from you in distance.
I advise you to start thinking about color or graphite in values [one to ten; light to darkest] for all colors as well as grays/blacks. Are they warm or cool in tone? Warm tones will come forward in space and cools will sink in space. The way God designed it, not an artist trick. Think about how color fades in distance and lack of detail in landscape.
Don’t worry so much about the name of the color printed on the tube of color, look to see if it is warm or cool in tone and where would you use it on form, shape etc.
Roxanne 