Adriana is drawing like this at 12! A six minute charcoal sketch. Life drawing is KEY! I can not express enough how Life Drawing will teach you every drawing element. It doesn’t matter what skill level you are at, Life Drawing is essential.
Graphite drawing by Jordan. Learning to draw is not as hard as some make it. You need a good teacher; someone who understands realism and wants to teach you foundation. I can’t express enough how important Foundation learning is. You must learn to understand form and how to create it with warm and cool tones in graphite. Starting to draw with a “Hill and Valley” concept { which I created in my teaching experience } is key to understand more complex skill sets.
I guarantee I can teach you!!!
I painted to this point. The hands are wrong and letter, but it will be okay!
I painted to this point. There are several areas if not all areas that need attention. At this point of realism I need to set the weight of the object or person, correct perspective, and form first before I fine tune the details. I like it so far. The think next I will paint the hands and letter in and then regroup, reevaluate and then details. The background will be damask in contrast eventually.
Oil painting is easy when you have knowledge about drawing forms. Realism in any medium is about layers and lighter layers of building forms. I will add more on this later, don’t have the time now, but stay tuned. This is titled, “The Un-sent Letter”. It is about a young woman sitting getting ready for her wedding day. She is holding a letter she never sent to an old love. It is about life decisions and “Letting Go” of the past’ heart wrenching. There will be several clues painted to add to the story, which line up with my recent photography. More to come.
Here we go again…..second canvas ready for new painting. I am working on an oil already titled, “The Un-sent Letter”. It is about a young woman reading the letter she never mailed to an old boyfriend on her wedding day. Second thoughts about walking down the aisle? I can’t answer that, but she is beautiful. Sometimes life decisions are made not knowing the end results, love I guess? Anyway; I started this first oil with the intention of painting looser than realistic. Good luck with that! Why do I beat myself up about my painting, drawing style? I paint and draw realistically and that’s how I role as an artist.
Here are pictures of the beginning work and the mannequin that is freaking people out in my wedding dress in a still life I put together for the painting. It is better to work from a still life vs. a photograph. 
The face is nice in the first oil but I painted over it thinking I was going to approach this with an Impressionistic style. I ended up wiping the paint off and well, it didn’t come out so well.
Notice the material on the smaller mannequin, the gray, silver color of the dress. A shiny material can have Refracted light which causes a Reflection in the valleys or deep parts of the folds. These folds are darker in tonal values on cotton for example. Drawing shiny material are small stokes, tedious lines of smooth value ranges. So, shiny material is classified as 102 level.
I added a few mannequins to my studio to help me and artist friends with Life drawing, foreshortening views and so on. I want you to notice how the eyeball is a sphere in a socket! Drawing spheres well will help you later on with drawing ans shading portraits.
Here is a portrait of an artist friend’s wife I am repainting for him. He did a good job for his skill level and ability, but you need a strong drawing foundation for best results.
It is also hard to paint a loved one you miss dearly. When you look at the photograph a flood of memories come rushing back and it’s hard to paint through dry tears or flowing ones. That’s a challenge in itself for any artist on any skill level.
So, don’t ever stop trying to improve your portraiture painting, drawing abilities, just maybe wait and start with someone else, not a loved one.
I have about 20 hours in painting this, but I made the mistake of working over his work, where I should have just started over from fresh. Portraiture in any medium you need a strong awareness in tone, form and how to set forms in paint. Very importantly you need a stronger foundation in drawing and drawing elements. There is absolutely no way around that fact. I am sorry to say, unless you are God blessed artistically beyond measure you need to do the base work. Along with Life Drawing and MORE Life Drawing.
There are NO LINES on the face drawn in black or brown. The color black or rarely is ever used in flesh tones. Wrinkles on a face are Hills and Valleys in form and shapes; go back to drawing ruffles and shapes as well as material. If you think you can SKIP this process you are wrong.
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Another huge mistake is to add darkest hues and tones found around eyes and glasses that you’d find in a photograph; painting and photography are two separate mediums which need two different approaches to create. Lighting is key when using photography as your resource.
You must paint complimentary to the figure. Yes, likeness and the essence of the person are required, but do not emphasize disorders. Women don’t wear makeup to highlight their concerns and either should you. Have you ever heard, “Flattery will get you everywhere?”.
If you need help with your portraiture painting and drawing realism I can help.
The header I currently have the pictures are not as clear as in shop? When I have more time to play I will work on it.
I have been busy working on my own portfolio as well as working with my artist friends when I could. Summer has flown by and here it is mid August already! Time for school and getting back to a regular routine schedule.
As far as my artwork goes I finished the large black and white watercolor shown in the center of the header, which I like. Plus, I do need to matte it yet. Now, I will start to put thought into action on the photography series that I was working on last spring semester. Not one hundred percent sure where this art series is going, but I have several ideas. I will know when I get there; plus in the duration producing some beautiful photography. Over all it has been a really great experience thus far.
In between the darkroom come Fall, studio time and family my hours will be filled; just the way I like it. I will make time though for my artist friends. I like to be productive and moving in the right direction.
Learning to see the details around you; what a leaf or tree for example looks like when you are standing next to it versus how a tree or the detail of a leaf look in comparison farther away or distance. Take the time to look and notice color and how the color changes and the details or realistic details slightly become unfocused as they go back or a way from you in distance.
I advise you to start thinking about color or graphite in values [one to ten; light to darkest] for all colors as well as grays/blacks. Are they warm or cool in tone? Warm tones will come forward in space and cools will sink in space. The way God designed it, not an artist trick. Think about how color fades in distance and lack of detail in landscape.
Don’t worry so much about the name of the color printed on the tube of color, look to see if it is warm or cool in tone and where would you use it on form, shape etc.
Roxanne 