The Unsent Letter..

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This is how far I have been able to paint to. This is a large oil painting that I am not in a hurry to finish. It is better to produce quality vs, quantity. Some students say to me, “You’re still working on this?” and my answer is I would rather like what I painted then never be satisfied or question my work at a later date. I have been very busy outside my studio and haven’t had the time window  that I need to paint, so eventually there will be the time. My photography here isn’t as focused as I think it could be or my glasses aren’t strong enough! Anyway, the light I am now starting to put in is beautiful. Whom ever views this once hanging and takes the time to read the letter the painting will have so much more depth then just the title explanation.

Remember the Light source in every composition in any medium you work with. Complete flesh tones through out with consistency is key. Looking at where the light is coming from and how the light changes and affects tones. If you are not sure then set up a Still Life to help aid you. mannequins are wonderful for this purpose; if that  isn’t an option for you then ask a friend or family member to sit for a little time. Take pictures as reference to help guide you in the process.

Art Lessons

In the new header which is my new postcard the clarity is not as I expected. It looks nice, but I am picky. The first piece is oil. The second piece is watercolor and the Tiger is color pencil.

charcoal drawing

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Adriana is drawing like this at 12! A six minute charcoal sketch.  Life drawing is KEY! I can not express enough how Life Drawing will teach you every drawing element. It doesn’t matter what skill level you are at, Life Drawing is essential. 

Graphite Drawing

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Graphite drawing by Jordan. Learning to draw is not as hard as some make it. You need a good teacher; someone who understands realism and wants to teach you foundation. I can’t express enough how important Foundation learning is. You must learn to understand form and how to create it with warm and cool tones in graphite. Starting to draw with a “Hill and Valley” concept { which I created in my teaching experience } is key to understand more complex skill sets.

I guarantee I can teach you!!!

005Starting to add tones and set form with values.

Oil painting, portrait painting

002 I painted to this point. The hands are wrong and letter, but it will be okay!

Oil painting

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I painted to this point. There are several areas if not all areas that need attention. At this point of realism I need to set the weight of the object or person, correct  perspective, and form first before I fine tune the details. I like it so far. The think next I will paint the hands and letter in and then regroup, reevaluate and then details. The background will be damask in contrast eventually.

Intense pencils

Inktense pencils is an involved medium. It takes dedication and passion to learn the capabilities of the medium itself. I added a few pictures of a few different colors. Their value ranges are endless of creditability. Notice how the color can be watered thin for a very pale hue or value. 002

When drawing with Inktense pencils you do not have to use water, leave the color as though a color pencil effect. You can draw over the wet surface; wet and dried. In the picture below Olivia started an Impressionistic painting.

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The concept is after Artist Reed.

One very important fact; the colors Are Not always the color on the top of the pencils!!!! The color may be surprising when wet versus dry. So, check before you add a color to make sure that is what you want.

portrait painting

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Oil painting is easy when you have knowledge about drawing forms. Realism in any medium is about layers and lighter layers of building forms. I will add more on this later, don’t have the time now, but stay tuned. This is titled, “The Un-sent Letter”. It is about a young woman sitting getting ready for her wedding day. She is holding a letter she never sent to an old love. It is about life decisions and “Letting Go” of the past’ heart wrenching. There will be several clues painted to add to the story, which line up with my recent photography. More to come.

Oil painting

Here we go again…..second canvas ready for new painting. I am working on an oil already titled, “The Un-sent Letter”. It is about a young woman reading the letter she never mailed to an old boyfriend on her wedding day. Second thoughts about walking down the aisle? I can’t answer that, but she is beautiful. Sometimes life decisions are made not knowing the end results, love I guess? Anyway; I started this first oil with the intention of painting looser than realistic. Good luck with that! Why do I beat myself up about my painting, drawing style? I paint and draw realistically and that’s how I role as an artist.

Here are pictures of the beginning work and the mannequin that is freaking people out in my wedding dress in a still life I put together for the painting. It is better to work from a still life vs. a photograph. 007005

The face is nice in the first oil but I painted over it thinking I was going to approach this with an Impressionistic style. I ended up wiping the paint off and well, it didn’t come out so well.