Thumbnails

Posted on January 2, 2015 by Roxanne

Thumbnails they are called. It is important to sketch [on any scale] small drawings as research compositions before you start a new drawing or painting. Use your favorite graphite pencil or charcoal. The main objective is to figure out composition and what works the best in your artwork. First figure out what the main focus will be; what do you want the viewers to see as the subject. Remember how color will affect main focus as well as lighting. Then taking into consideration the light source. Each thumbnail is meant to be different; change the light source, move the main subject within the small sketch to see how the composition changes by moving the objects within the small sketches. You may find you like for example the main subject matter not in the middle but the left side. Very importantly not to copy someone’s artwork. You may look at photographs of the subject matter but do not copy. Copying destroys the integrity of your artwork; plus you are not learning at a pace you could be advancing. The artist you are looking at has figured it all out for you. The reward comes from the honest beginning.

Remember line direction, movement with line within the composition; the way your eye follows line and how it moves throughout the piece. The gesture of lines and how they are hard or soft flowing lines or gesture lines.

Here are a few sketches Tom is working on for insight to his next painting.

The Unsent Letter..

Posted on October 21, 2014 by Roxanne

This is how far I have been able to paint to. This is a large oil painting that I am not in a hurry to finish. It is better to produce quality vs, quantity. Some students say to me, “You’re still working on this?” and my answer is I would rather like what I painted then never be satisfied or question my work at a later date. I have been very busy outside my studio and haven’t had the time window that I need to paint, so eventually there will be the time. My photography here isn’t as focused as I think it could be or my glasses aren’t strong enough! Anyway, the light I am now starting to put in is beautiful. Whom ever views this once hanging and takes the time to read the letter the painting will have so much more depth then just the title explanation.

Remember the Light source in every composition in any medium you work with. Complete flesh tones through out with consistency is key. Looking at where the light is coming from and how the light changes and affects tones. If you are not sure then set up a Still Life to help aid you. mannequins are wonderful for this purpose; if that isn’t an option for you then ask a friend or family member to sit for a little time. Take pictures as reference to help guide you in the process.

Art Lessons

Posted on September 8, 2014 by Roxanne

In the new header which is my new postcard the clarity is not as I expected. It looks nice, but I am picky. The first piece is oil. The second piece is watercolor and the Tiger is color pencil.

Graphite Drawing

Posted on July 26, 2014 by Roxanne

Graphite drawing by Jordan. Learning to draw is not as hard as some make it. You need a good teacher; someone who understands realism and wants to teach you foundation. I can’t express enough how important Foundation learning is. You must learn to understand form and how to create it with warm and cool tones in graphite. Starting to draw with a “Hill and Valley” concept { which I created in my teaching experience } is key to understand more complex skill sets.

I guarantee I can teach you!!!

Oil painting

Posted on March 7, 2014 by Roxanne

Here we go again…..second canvas ready for new painting. I am working on an oil already titled, “The Un-sent Letter”. It is about a young woman reading the letter she never mailed to an old boyfriend on her wedding day. Second thoughts about walking down the aisle? I can’t answer that, but she is beautiful. Sometimes life decisions are made not knowing the end results, love I guess? Anyway; I started this first oil with the intention of painting looser than realistic. Good luck with that! Why do I beat myself up about my painting, drawing style? I paint and draw realistically and that’s how I role as an artist.

Here are pictures of the beginning work and the mannequin that is freaking people out in my wedding dress in a still life I put together for the painting. It is better to work from a still life vs. a photograph.

The face is nice in the first oil but I painted over it thinking I was going to approach this with an Impressionistic style. I ended up wiping the paint off and well, it didn’t come out so well.

Entering a juried show.

Posted on July 2, 2012 by Roxanne

Entering a juried show can be a ball of tension. Now, I know and remember why I don’t care for entering them! I am trying not to focus on the due date vs. “Just painting”. Plus the fact I think it depends on who the judges are and the style of artwork they prefer. Lately I have been looking at the artwork that was chosen to win in various shows and I am not sure why some artwork was even chosen to win? Is it political? I am sure the judges see something I don’t or at least I hope so. I am not going to concentrate on the nerves of the show [ follow the show’s rules], but I am going to start this watercolor today with the intension of entering. If I don’t finish, then I don’t enter this show; there will be other shows. I like to joke and say “I am almost half way to 100 yrs!” Ouch. Yeah, say that outloud…..so at this point in my life I have learned Not to lean on my own understanding, but God is the director of my life. If I keep doing the same old things I do [that don’t line up with Him] then I keep going around the same mountain until I do learn my lesson. I heard something pretty cool this morning and it is: Every opportunity has difficulty and every difficulty has opportunity and in adversity God created Beauty. Very interesting when heard like that.

I will begin this watercolor today in a bit and post pictures and tips as I go along. Here is the sketch that I think I am satisfied with. Before you start a painting and if you sketch it out first sit it down and look at it a few days before adding paint. Once the wc goes down it is harder to change or fix a mistake once started. Ask others to look at the sketch and tell you what they see wrong. You may be just too close the problem and don’t see it. Trust me on this. Be careful when using the H graphite pencils……the hard pencil will score the paper and the indent will not come out and be seen through watercolor. Use a 4H or 2H to sketch but lightly! The watercolor will dislove the graphite and whatever is still there can be erased once the painting is completely dry {the next day} with a kneaded eraser.

I drew the one hand about three times before I got the size right. When I first worked on this it was coming out 18 inches square, compositions do not work square unless it is pattern or Folk art styling. I needed to extend it and it is something close to 16 x 20, a standard size which will allow me to have an easier time framing. When I start a wc I need at least three hours straight to put down the first layer which will set the pathway for realism. If the first layer is not right then the painting will not work. So, my house is quiet……aman…I have a few things to do first and then I will start painting and posting. Thanks for looking!

This is how far I have gotten today, about four hours. This is only the foundation of hues and shadows I need to bring up detailed realism. I like it so far……:}

Roxanne

Artist, Art Teacher, all mediums and Miniature Art 1/12th scale.

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