Thumbnails

Thumbnails they are called. It is important to sketch [on any scale] small drawings  as research compositions before you start a new drawing or painting. Use your favorite graphite pencil or charcoal. The main objective is to figure out composition and what works the best in your artwork. First figure out what the main focus will be; what do you want the viewers to see as the subject. Remember how color will affect main focus as well as lighting. Then taking into consideration the light source. Each thumbnail is meant to be different; change the light source, move the main subject within the small sketch to see how the composition changes by moving the objects within the small sketches. You may find you like for example the main subject matter not in the middle but the left side. Very importantly not to copy someone’s artwork. You may look at photographs of the subject matter but do not copy. Copying  destroys the integrity of your artwork; plus you are not learning at a pace you could be advancing. The artist you are looking at has figured it all out for you. The reward comes from the honest beginning.

Remember line direction, movement with line within the composition; the way your eye follows line and how it moves throughout the piece. The gesture of lines and how they are hard or soft flowing lines or gesture lines.

Here are a few sketches Tom is working on for insight to his next painting. 2014083020140833201408352014083420140837

The Unsent Letter..

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This is how far I have been able to paint to. This is a large oil painting that I am not in a hurry to finish. It is better to produce quality vs, quantity. Some students say to me, “You’re still working on this?” and my answer is I would rather like what I painted then never be satisfied or question my work at a later date. I have been very busy outside my studio and haven’t had the time window  that I need to paint, so eventually there will be the time. My photography here isn’t as focused as I think it could be or my glasses aren’t strong enough! Anyway, the light I am now starting to put in is beautiful. Whom ever views this once hanging and takes the time to read the letter the painting will have so much more depth then just the title explanation.

Remember the Light source in every composition in any medium you work with. Complete flesh tones through out with consistency is key. Looking at where the light is coming from and how the light changes and affects tones. If you are not sure then set up a Still Life to help aid you. mannequins are wonderful for this purpose; if that  isn’t an option for you then ask a friend or family member to sit for a little time. Take pictures as reference to help guide you in the process.

“His first car”

Almost finished. Next day: now that this has had a good night to dry [in natural air not ac.] I will go back and detail and fine tune the realism. I could leave it at this point, but I want to showcase my skill and knowledge about painting realism. {plus it bothers me if I don’t!}. It has to be REAl to me. ONly certain art can be left unfinished or not realism.  See what today brings?

If painting or drawing realism is your goal then you must follow a simple rule; take lessons with me or follow the law of layering color or graphite. You can not just simply put down the last vivid hue of color first,,,,,must be a layering building process to form the shapes. Go through all the prior post on this picture and notice the building of color.