Thumbnails

Thumbnails they are called. It is important to sketch [on any scale] small drawings  as research compositions before you start a new drawing or painting. Use your favorite graphite pencil or charcoal. The main objective is to figure out composition and what works the best in your artwork. First figure out what the main focus will be; what do you want the viewers to see as the subject. Remember how color will affect main focus as well as lighting. Then taking into consideration the light source. Each thumbnail is meant to be different; change the light source, move the main subject within the small sketch to see how the composition changes by moving the objects within the small sketches. You may find you like for example the main subject matter not in the middle but the left side. Very importantly not to copy someone’s artwork. You may look at photographs of the subject matter but do not copy. Copying  destroys the integrity of your artwork; plus you are not learning at a pace you could be advancing. The artist you are looking at has figured it all out for you. The reward comes from the honest beginning.

Remember line direction, movement with line within the composition; the way your eye follows line and how it moves throughout the piece. The gesture of lines and how they are hard or soft flowing lines or gesture lines.

Here are a few sketches Tom is working on for insight to his next painting. 2014083020140833201408352014083420140837

Life drawing

Recent page has been added to the Life drawing category of two beautiful portraits. I will add one picture featured below sketched in the un-reveling nude figure fashion since this is pictured on a post page. Drawn on Strathmore artist cream color paper with basic charcoal in a 15 minute pose by a professional model. Without a photograph to view the expression was captured beautifully. The hand needs some improvement as far as detail to shape and shadows, but overall the sketch came out well. I find myself wanting to add more realistic detail at the fifteen minute duration poses. At this point I can render a fairly nice sketch, after this point I would need to use charcoal pencils to get tighter detail for more control of the medium. I also would use a different hot pressed surface paper for a longer posed sketch, a smoother surface would give me and allow more control with realistic detail.

If you double-click on the picture you can see the surface of cold press paper and how the charcoal goes on that surface. The paper was bought on clearance and I usually do not use cold press for life drawing, if I were in a pinch and wanted to work this drawing longer into a realistic sketch {sometimes a model will pose several minutes longer or come back to a difficult pose later} spray workable fixatif would follow next and then charcoal pencils which would allow a slight more amount of detail without taking up what was already down.